Theater of Cruelty

Aleksander Huser

Huser is a regular film critic in Ny Tid.

Personal and impressionistic war pictures

NORWEGIAN GAME FILM: 83-year-old Knut Erik Jensen is back with Longing for the present. A film that does not fit neatly into the ranks of modern Norwegian blockbusters about the Second World War.

Colonialism in motion

AFRICA: The film series Tidløs reise, which is now staged in several of the country's cinematheques, shows films rooted in African culture and history – but also Africa's connection to Europe and China.

Towards a greener future at Evvia

FILM FESTIVAL/CLIMATE: In the wake of the catastrophic forest fires on Evvia, the Greek island has had its own film festival, which is fittingly also a meeting point for discussing climate, environment and sustainability.

A cinematic world was put into play

THE SHORT FILM FESTIVAL IN OBERHAUSEN: 'Machinima' – films made through computer games – reflect and illuminate the digital worlds we are moving ever further into. It is also reasonable to believe that artificial intelligence will make a significant impact on this field in the future.

Political thriller from real-life Egypt

ARAB MOVIE DAYS: "Boy from Heaven" is first and foremost a well-composed suspense film, but at the same time gives an exciting insight into religious environments and political lines of conflict in today's Egypt.

With hope for Africa

ENVIRONMENT: "It's about changing people's mindset," says Volker Schlöndorff (83) to MODERN TIMES. The veteran German director himself describes his film about agronomist Tony Rinaudo's reconstruction of forests in Africa as propaganda.

What really characterizes NETFLIX?

Netflix: Media professor Amanda Lotz provides some interesting perspectives on the global streaming services' business models and Netflix's success.

Actual and imagined boundaries

FILM FROM THE SOUTH: Jafar Panahi's "No Bears" is a strong film in itself, but gains even greater impact in light of the situation the now imprisoned Iranian filmmaker is in.

The political satire

Oslo Pix: With Palme d'Or winner Triangle of Sadness, Swedish Ruben Östlund is even more bitingly satirical – and more directly political – than before.