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Aleksander Huser

Huser is a regular film critic in Ny Tid.

Actual and imagined boundaries

FILM FROM THE SOUTH: Jafar Panahi's "No Bears" is a strong film in itself, but gains even greater impact in light of the situation the now imprisoned Iranian filmmaker is in.

The political satire

Oslo Pix: With Palme d'Or winner Triangle of Sadness, Swedish Ruben Östlund is even more bitingly satirical – and more directly political – than before.

The role model who fell

Stories about scammers, preferably from reality, are easy to be fascinated by. We are currently in an ever so small wave of them with, among other things, the series #Inventing Anna # and the documentary #Tinder-scammer #, ...

Arab film with political sting

ARAB MOVIE DAYS: The thriller Huda's Salon takes a feminist look at the position of women in the Israeli – occupied West Bank, while the distinctive family drama Costa Brava, Lebanon deals with Lebanon's ongoing waste crisis.

The struggle for Hong Kong democracy

DEMOCRACY MOVEMENT: By following four young demonstrators, the documentary Faceless comes very close to the protest demonstrations in Hong Kong in 2019.

The legacy of Ruth Maier

ANTI-SEMITISM: Elsa Kvamme's new documentary No more everyday life tells the story of Jewish Ruth Maier, who in no way has lost its relevance and importance.

The urge to be seen and recognized

FICTION: The controversy in the media mogul family over the corporate throne escalates further in the HBO series Succession, which in an impressive and captivating way is able to take the pulse of the present and big capitalist business at its most brutal.

Continuation rather than replay

CANES: With The World's Worst Man, Joachim Trier has very possibly made his best film to date. And it is more than just the capital that connects it to Reprise and Oslo, 31 August.

It wasted hope

OSLO AGREEMENTS: The escalating conflict between Israel and the Palestinians reminds us again that the Oslo agreement in 1993 did not lead to peace. And thus the HBO film Oslo almost feels like naive escapism.