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Terje Dragseth

Author and filmmaker.

An Internet of Things (IoT) Internet of Bodies (IoB) and Internet of Minds (IoM)

Ole Sverre Olsen: Conversations with the speeds of light. The construction of the digital realm of the dead.
When Klaus Schwab, founder of the World Economic Forum, introduces the Fourth Industrial Revolution (Shaping the Future of the Fourth Industrial Revolution), and when Elon Musk, the founder of the successful Tesla, plus Facebook CEO Mark Zuckerberg presents the visions for the 21st century , you should pay close attention to what is the specific content of what they present of technology, researched in the laboratories of Silicon Valley.

To dream is to look death in the eyes

Terje Dragseth: Dream book. An occult diary
What is this dream, what significance does it have?

Gay Kjærleik Songar

Julian Talamantez Brolaski: Advice to those lovers
Isn't poetry the best when you get lost in the language, when you have to play with the concealed premise of an erratic poet, throw in the wild, and then recognize yourself in something unknown, something foreign, and yes, dangerous and threatening ?

Curved nails and aphorisms

Lyn Hejinian. (Translated into Danish by Alexander Carnera): fatalist
The language poet Lyn Hejinian's work The Fatalist invites a fundamental reflection on the political and human consequences of language, abstract thought, unpredictable language games and the poetically obvious.

Yes. There will be a revolution 

Joshua Clover: Red epic
Red epic is an American poet's unsentimental political remix.

About recognition and power

When Trump acts as he does, impulsively and timidly, it is in the desire for recognition.

I, an algorithm

My needs are synthetic. They contain all my so-called desires, yes, the very momentum in my presence, as an I, an algorithm.

Happiness in the interior through the night

Why do travelers have an aversion to identifying themselves as tourists? Because one wants to live in all realities rather than visit them.

Norwegian film – a toothless affair

We wallow in commercial hero worship and reactionary swarm. Film as a recognition process is a story only in the Norwegian context.