Two Canadian films dissect the destructive forces of capitalism unleashing in the world and present how the market is a very suitable tool in the regulation of economic, social and political activity.
Srbenka is a skilled metateater that involves the actors' own experiences and memories of the war in the 90 century. It also provides a good insight into how everyday life is becoming apparent among the Serbian minority in Croatia.
Supported by archival footage and comments from her followers, Winnie is also Madikizela-Mandela's own story, told by herself in interviews with the filmmaker.