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Identity problems and false confessions

Leslie on Fire / False Confessions
Regissør: Stefan Berg,Katrine Philp

Identity problems among young immigrants in Sweden, and the need for better legal security in the US: Sofielund and New York are the framework for two new Nordic documentaries.

Scandinavian whole-night documentaries often look beyond their own borders when looking for subject, protagonist and setting. Alongside the well-deserved winners of the best Nordic documentary, The Deminer by Hogir Hirori, and Simon Lereng Wilmonts The Distant Barking of Dogs, which won the audience award last fall, only a few of the nominated films were filmed in a Nordic country. Therefore, it was even nicer to see that the opening film, Leslie on Fire by Stefan Berg, brought us a little closer to the local communities in Malmö. Also False Confessions by Katrine Philp, who won the audience award at this year's CPH: DOX, was nominated.

Leslie on Fire gives us a look into the local community Sofielund – a highly segregated area in Malmö, characterized by poverty and crime – where we meet 14 year-old Leslie Tay. Although the protagonist is very similar and talks openly about his feelings, it seems that Stefan Berg has not quite been able to decide what his theme really is – therefore it lacks a bit of depth in the film.


Young Leslie Tay is a dreamer; he talks and walks like a gangster, and wants to be a rock star. When his mother leaves Sweden to return to Ghana, Leslie has to move in with her abusive father whom he does not know. . .

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Margareta Hruza
Hruza is a Czech / Norwegian filmmaker and regular critic of Ny Tid.

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