DOCUMENTARY

SCIENCE FICTION: The TV series based on Aldous Huxley's Brave New World contains - by including digital surveillance - also an essential element from George Orwell's dystopian vision of the future.

cinema Relevant The Outpost confirms the turn American war films have taken from system criticism of the hero cult.

WASTES OF WAR: Five female miners try to remove land mines in the beautiful landscape of Nagorno-Karabakh.

BOOK: Photographer Kajsa Gullberg is a Socrates light in the sex club. The photographs from the club are blurred and reddish.

NINOSCAS CAMP: Independence and detachment from violence and oppressive macho culture in Nicaragua - filmed for forty years.

CONTROL: Unthinkable bureaucrats, sneaky employer organizations and a corrupt police monitor and blacklist "troubled" or suspicious workers systematically.

NUDENESS: Norwegian Jan Dalchow's new documentary series about body shame is honorable, but also trivial and sentimental.

NORWEGIAN SHORT MOVIE: Many of the films at this year's digital short film festival in Grimstad dealt with current political themes.

ARCHITECTURE: Two films about the Y-block have, in the shelter of the ongoing demolition, become both documentation of ideological oscillations and mourning hymns over a lost time.

DANISH IS-CATCH: The feature film about Danish Daniel Rye captured by IS in Syria shows that Scandinavian film does not have to be toothless entertainment to hit wide.

TOURISM AND AUTHENTICITY: The distinctive feature film Bait describes the conflict between local fishermen and holidaymakers in Cornwall and is a social realist drama portrayed in a strikingly small social realist way.

PHOTO: The corona crisis has created new virtual galleries for photography. MODERN TIMES has visited several of them.

Utopia: An essayistic documentary that stretches towards future visions and utopias, but with a bleak foundational tone and inability to see any way out of the paralysis it describes.

SLOW TRAVEL: Animals often have an almost enviable ability to find their place in the whole. Why can't people do the same?

Thoughtful story of a young girl leaving a Hasidic society for a better life outside.

DIFFICULT ASKED: In Thy Kingdom Come, photographer and filmmaker Eugene Richards gives voice to ordinary people who are largely invisible in today's United States.

FREE WILL: Masterfully, the miniseries ask Dev's big questions about a deterministic worldview versus free will, and the almost unlimited power of modern "tech" companies.

ENVIRONMENT: For many, green energy solutions are just a new way to make money, says director Jeff Gibbs.

GLOBALIZATION: American Factory offers a cultural collision and fraternity between high-tech China and American working class workers.

PHOTO: The theme of the exhibition 'The Beginning' with Lennart Nilsson's photographs is particularly touching and thought provoking now that the pandemic is raging.

oligarchs: Is former Yukos chief and one of Russia's powerful oligarchs, Mikhail Khodorkovsky, a villain or a dissident?

PHOTO: The refugee crisis in Lesbos is the worst we have seen in a long time.

ABUSE: In an Iranian youth detention center, a group of teenage girls is being detained. They have all killed a father, brother or spouse.

FORGOT GENI? The film Teslafy Me wipes dust off the story of inventor Nikola Tesla, whom we can thank every time we are connected to the world.

PHOTO: South African photographer Santu Mofokeng recently died at the age of 63. His image essays from the time during and after apartheid, however, live on.