DOCUMENTARY

DOCUMENTS: Ancient Egyptian art and the later Sufi tradition have access to insights that modern man has gradually forgotten.

THE PHOTOGRAPHER: Beauty, suffering, wealth, poverty, superficiality and raped children are different sides of the same coin, says photographer Marco Di Lauro, who spent a week with the Red Cross in Bergamo during the covid-19 outbreak.

FISHING INDUSTRY: The United States imports 91 percent of all food fish from the other side of the globe, and fish intake is limited to five varieties while ancient coastal communities are in ruins. In Cambodia, the seabed is being emptied and emptied of illegal fishing from Vietnam. The theme is gloomy, but two different documentaries find bright spots.

DRAMA COMEDY: Director Sofia Coppola and actress Bill Murray were successful Lost in Translation and are now reunited in On The Rocks, in which Murray portrays a skirt hunter who is never far from a dry martini.

HOLOCAUST: The Painted Bird is a powerful and disturbing film that depicts a young boy's cruel experiences in Eastern Europe during World War II.

SCIENCE FICTION: The TV series based on Aldous Huxley's Brave New World contains - by including digital surveillance - also an essential element from George Orwell's dystopian vision of the future.

cinema Relevant The Outpost confirms the turn American war films have taken from system criticism of the hero cult.

WASTES OF WAR:  Five female miners try to remove land mines in the beautiful landscape of Nagorno-Karabakh.

BOOK: Photographer Kajsa Gullberg is a Socrates light in the sex club. The photographs from the club are blurred and reddish.

NINOSCAS CAMP: Independence and detachment from violence and oppressive macho culture in Nicaragua - filmed for forty years.

CONTROL: Unthinkable bureaucrats, sneaky employer organizations and a corrupt police monitor and blacklist "troubled" or suspicious workers systematically.

NUDENESS: Norwegian Jan Dalchow's new documentary series about body shame is honorable, but also trivial and sentimental.

NORWEGIAN SHORT MOVIE: Many of the films at this year's digital short film festival in Grimstad dealt with current political themes.

ARCHITECTURE: Two films about the Y-block have, in the shelter of the ongoing demolition, become both documentation of ideological oscillations and mourning hymns over a lost time.

DANISH IS-CATCH: The feature film about Danish Daniel Rye captured by IS in Syria shows that Scandinavian film does not have to be toothless entertainment to hit wide.

TOURISM AND AUTHENTICITY: The distinctive feature film Bait describes the conflict between local fishermen and holidaymakers in Cornwall and is a social realist drama portrayed in a strikingly small social realist way.

PHOTO: The corona crisis has created new virtual galleries for photography. MODERN TIMES has visited several of them.

Utopia: An essayistic documentary that stretches towards future visions and utopias, but with a bleak foundational tone and inability to see any way out of the paralysis it describes.

SLOW TRAVEL: Animals often have an almost enviable ability to find their place in the whole. Why can't people do the same?

Thoughtful story of a young girl leaving a Hasidic society for a better life outside.

DIFFICULT ASKED: In Thy Kingdom Come, photographer and filmmaker Eugene Richards gives voice to ordinary people who are largely invisible in today's United States.

FREE WILL: Masterfully, the miniseries ask Dev's big questions about a deterministic worldview versus free will, and the almost unlimited power of modern "tech" companies.

ENVIRONMENT: For many, green energy solutions are just a new way to make money, says director Jeff Gibbs.

GLOBALIZATION: American Factory offers a cultural collision and fraternity between high-tech China and American working class workers.

PHOTO: The theme of the exhibition 'The Beginning' with Lennart Nilsson's photographs is particularly touching and thought provoking now that the pandemic is raging.