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Bjørneboe

The memories of an anarchist

CALL: Jens Bjørneboe has made a storytelling where Emma Goldman remembers the many events in her life. Here is a report from Grusomhetens Teater's rehearsal of Red Emma.

Bjørneboe celebration with film and debate

JUBILEE: Join the debate after the documentary The problem of evil, and see the celebration that took place at Røverstaden about Bjørneboe's life and life's work.

Solidarity, mutual aid, equality and autonomy

COMMENT:: What does Bjørneboe mean to you today?

Bjørneboe and the theater's future

CONVERSATION: Do we have too many "petty-bourgeois" or aestheticized dramas when time holds so many major political problems? Therese Bjørneboe about her father and the theater before and now.

Bjørneboe and Barba

: Was Bjørneboe a greater novelist than playwright?

Despite the pornography

: Sigurd Evensmo about Bjørneboes Without a Thread. Orientering No. 37, 1966

The moment of freedom

Jens Bjørneboe: The moment of freedom

EUROPE: Bjørneboe's black humor is dialectical thinking about the conditions of unsentimental human dignity. It strikes with its cynicism the blue-eyed and decent mass murderers of the usual barbaric moral type. '

Before World War III

: Report from Hanoi. Books about Vietnam.

The self-medication of complacency

BJØRNEBOE FILM: Is it the freedom we are afraid of? asks film director Terje Dragseth.

The divine comedy

EVIL: God Himself is the problem of evil: Do we have to kill, and do we have to kill many, and all the time, for the world to get better?

FASSBINDER AND BJØRNEBOE: "I am mistaken for the most unworthy."

CRISIS, ADVERSITY, RUSS: The 100-year jubilee Jens Bjørneboe and the German film director, Rainer Werner Fassbinder, who this year would have turned 75, were both put in the public's yawn. Did this lead to shortened lives for both?

Is it a pity for America?

Great power madness?: America's shadow pages have for many made fatal love and the relationship destructive. Bjørneboe's indignation towards America was of the solidarity type.