PHOTO/BOOK: The importance of being human in the Anthropocene has never been more decisive for an understanding of how humans will survive in the future. Photographer Gauri Gill: “I have followed the agricultural cycle, migration, Food for Work programs, nomadic journeys, epidemics, cerebral malaria, tuberculosis, overcrowded hospitals – and death from snakebites, from accidents, from being burned alive for providing an inadequate dowry – and births, marriages, child marriages or moneylenders."
PHOTO: Is it possible that anti-capitalist expressions are reduced to insignificant gestures and instead become symbols of the immediate consumption of social media?
PHOTO: How are blacks presented? A portrait photograph is far from neutral, neither guilty nor innocent – but with varying degrees of sharpness, vulnerability and complexity.
PHOTO: I took the gaze of anthropology into the camera lens, it became my optics. The experience of several years in San Francisco, or the experience of having a little brother with schizophrenia – what does that mean for the pictures?
PHOTO: Inge Morath was one of the few female photographers of the 1950 who gained membership in the male-dominated Magnum Photos. In this illustrated biography we get to take part in her adventurous and unconventional life.
Photo Phnom Penh in Cambodia has made its mark in the photo festival landscape in Southeast Asia since its inception nine years ago. The festival is free and brings the art to the public space.
No autumn without the Autumn Exhibition in Oslo. This year, it is the relationship between man, nature and culture that is interpreted in the many works of art, visual artist Marte Aas tells Ny Tid.