ARAB MOVIE DAYS: "Boy from Heaven" is first and foremost a well-composed suspense film, but at the same time gives an exciting insight into religious environments and political lines of conflict in today's Egypt.
FILM FROM THE SOUTH: Jafar Panahi's "No Bears" is a strong film in itself, but gains even greater impact in light of the situation the now imprisoned Iranian filmmaker is in.
DEATH PENALTY: The Berlin winner There is no devil is a strong statement against Iran's state executions and a morally complex depiction of living in a totalitarian society.
DIGITAL FESTIVAL: "It is a special year," say Lasse Skagen and Åse Meyer from Film fra Sør. With the closure of the cinemas in Oslo, this year's anniversary edition of the festival will be arranged digitally.
PATIENT HUNTING: The intense and upbeat documentary Midnight Family follows a family-owned ambulance in Mexico City, and their extreme dilemmas between life-saving and earnings.
MODERN SLAVERY: The Thai mafia is tricking or kidnapping men who end up as slave laborers on fishing skates. A female activist is fighting for the fishermen's life.
Palme d'Or-WINNER: Modern class distinctions are strongly present in this year's Film from the South opening film Parasite, which is an exuberant and biting social satire one should not know too much about in advance.
In Ryuichi Sakamoto: Coda, director Stephen Nomura Schible presents an intimate meeting with an artist and activist. I feel privileged to be let so close into his creative universe.
West's scrapped phones, PC monitors and refrigerators become a kind of livelihood for the many living on the world's largest garbage dump for electronic products, Sodom