Claire Simon's documentary on the selection process for the French film school La Fémis provides a fascinating insight into the competition behind the arts.
Filmmaker Elsa Kvamme has previously taught at Eugenio Barba. Now his Odin Theater has celebrated 50 years, and Kvamme has returned – this time with the camera in hand.
The result of controversial and acclaimed Michael Glawogger's latest unfinished work has become a dazzlingly beautiful, smoky, and buzzing epic about life.
The film censorship in its present form must go away. This is the reason for the start of the Free Film Association, says editor Bjørn Bjørnsen Orientering.
In conflict-ravaged Myanmar, poetry has been an important tool for dealing with reality. But the road has been short from the writing room to the prison cell.
Bresson's realism is about reorganizing our usual ways of seeing things – about finding a cinematic space in which what is usually beyond our grasp can breathe.
By documenting the all-too-well-known international law case against Iran, the documentary provides an important and outrageous insight into the system's ongoing sitting systematic breach of human rights.
In the documentary The Confessions of Thomas Quick, Sture tells Bergwall himself how he got psychiatrists, investigators and the judiciary to believe that he was Sweden's answer to Hannibal Lecter.