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Ellen Lande

Lande is a film writer and director and a regular writer for Ny Tid.

Smelly and bad punk portrait

STAR SLAM: Even if you have never liked punk, you should still bring along this tender and painfully riveting epic from a rough girl band environment from the US 90.

Slive kick about power play in intimate relationships

WORLD PREMIERE: For the first time in 16 years, a Norwegian short film has been selected for the critique week in Cannes.

Camera women in the firing line

PHOTOGRAPH: A diverse selection of skilled war photographers is highlighted in oblivion in two new exhibitions at the Preus museum: War Time (1935 – 1950) and Lee Miller.

People without filters

Travelogue: Some films have a rare ability to move the viewer in time and space. Visual artist Astrid J. Johannessen's last two video essays have this marvelous power.

Purchase process in Harlem

The Norwegian documentary premieres during this year's Berlin festival: A sensory-rich dissemination in Lene Berg's playful, wonder and disturbing False Belief.

Dandelion of the West Bank

LANYARD: What Walaa Wants portrays a child growing up in the shadow of Israeli occupation and Palestinian freedom struggle, in the Balata refugee camp in the West Bank.

The rise and fall of the feminist

What happens when you end up in a position to actually realize the policy you claim to stand for? Director Viktor Nordenskiöld has been following former Foreign Minister in Sweden, Margot Wallström, for four years.

Shout from a wounded globe

A disturbing documentary from a disaster-prone area shows what can happen if the natural devastation is allowed to continue.

The letter from hell

A letter hidden in a halloween decoration changes the life of both the Chinese sender and the American recipient. At the same time, it exposes the dividend in the international mass production industry.