From this year (2020) we have moved criticism of documentaries to attached MOTHER TIMES REVIEW. Our critics write there about international documentaries (most often the political one). See also PDF of the magazine on e-editions.
One of this premiere week's biggest pleasures is being allowed to overlook Tom Cruise as "The Last Samurai" and turning all attention to the little big movie "American Splendor".
Where do we actually have director Gus Van Sant? It is not easy to say, but in doing so, I have already approached one of the qualities of this director that makes him still an exciting name and a man who can afford to invent anything.
"The prince of darkness," should be the headline, and a shadowy picture of a black-clad Tommy Lørdhal in front of the poster for the Oslo International Film Festival should illustrate it all. "Idiot," Lørdahl said.