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Venezia

They play with kites, with snow, with a green brush, with broken pieces of mirror or a piñata

PLAY: The exhibition by Francis Alÿs at Copenhagen Contemporary neither explains nor defines what play means. Rather, it is an archive of toys and forms lines of connection between people across the places we come from.

Venice and the women

WOMEN: Over the course of ten years, Cesilie Tanderø has traveled to Venice, Rome and Sicily. There will be three books of this. We mention here some selected women from the first city.

A place everyone wants to see, but no one wants to protect

VENICE: The high tide in Venice – up to 1,87 meters – is man-made, just as the large technical river barriers are described as a giant scam.

In the time of the corona: Tourists and roommates

TOURIST OR REFUGEE? It is first and foremost the role of "tourist" that we experience the rigorous corona initiatives. For the roaming danger there are small changes. Can a crisis also revitalize solidarity?

Saudi women's struggle mediated with soap aesthetics

CLOSED SOCIETY: The fight for equality and justice in a gender-divided everyday life is the theme of al-Mansour's fourth feature film Maryam, an "adult version" of the first film Wadjda.

The tragic mafia

VENICE: Mafia and corruption were the themes of several films at the Venice Film Festival in September. But why are so many attracted to power, since it so easily corrupts over time?

The fire victims of corruption

Venice's best documentary?

Venice Biennial: What happens when man is no longer the center?

PHOTOGRAPHY: This year's Venice Art Biennale shows us a different world, more tangled, unsettling, weird and fragile at the same time. From each room, vibrant lines are drawn between disaster and collapse, colonialism and belonging, human and machine.